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Hans Christian Andersen
(1805—1875)
“Beautiful”
Alfred the sculptor – yes, you know him, don’t you? We all know him; he was awarded the gold medal, traveled to Italy, and came home again. He was young then; in fact, he is still young, though he is ten years older than he was at that time.
After he returned home, he visited one of the little provincial towns on the island of Zealand. The whole village knew who the stranger was, and in his honor one of the richest families gave a party. Everyone of any importance or owning any property was invited. It was quite an event, and all the village knew about it without its being announced by the town crier. Apprentice boys and the children of poor people, and even some of their parents, stood outside the house, looking at the lighted windows with their drawn curtains; and the watchman could imagine that he was giving the party, there were so many people in his street. There was an air of festivity everywhere, and inside the house, too, for Mr. Alfred the sculptor was there.
He talked and told stories, and everybody listened to him with pleasure and enthusiasm, but none more so than the elderly widow of a state official. As far as Mr. Alfred was concerned, she was like a blank sheet of gray blotting paper, absorbing everything that was said and demanding more. She was highly susceptible and unbelievably ignorant-a sort of female Kaspar Hauser.
“I should love to see Rome!” she said. “It must be a wonderful city, with all the many strangers continually arriving there. Now, do tell us what Rome is like. How does the city look when you come in by the gate?”
“It is not easy to describe it,” said the young sculptor. “There’s a great open place, and in the middle of it there is an obelisk that is four thousand years old.”
“An organist!” cried the lady, who had never heard the word “obelisk.”
Some of the guests could hardly keep from laughing, among them the sculptor, but the smile that rose to his lips quickly faded away, for he saw, close by the lady, a pair of dark-blue eyes; they belonged to the daughter of the lady who had been talking, and anyone with such a daughter could not really be silly! The mother was like a fountain of questions, and the daughter, who listened silently, might pass for the naiad of the fountain. How beautiful she was! She was something for a sculptor to look at, but not to speak with, for indeed she talked but very little.
“Has the Pope a large family?” asked the lady.
And the young man answered considerately, as if the question had been put differently, “No, he doesn’t come of a very great family.”
“That’s not what I mean,” said the lady. “I mean, does he have a wife and children?”
“The Pope isn’t allowed to marry,” he replied.
“I don’t approve of that,” said the lady.
She might well have talked and questioned him more intelligently, but if she hadn’t said and asked what she did, would her daughter have leaned so gracefully on her shoulder, looking straight before her with an almost melancholy smile on her lips?
And Mr. Alfred told them of the glorious colors of Italy, the purple of the mountains, the blue of the Mediterranean, the blue of the southern skies, a beauty that could only be surpassed in the North by the deep-blue eyes of a maiden. This he said with peculiar meaning, but she who should have understood it looked quite unconscious, and that, too, was charming!
“Ah, Italy!” sighed some of the guests.
“Traveling!” sighed others.
“Charming, charming!”
“Well,” said the widow, “if I win fifty thousand dollars in the lottery, we’ll travel! My daughter and I. You Mr. Alfred, must be our guide. We’ll all three go, with just one or two good friends with us.” Then she smiled in such a friendly manner at the company that each of them could imagine he was the person who would accompany them to Italy. “Yes, we’ll go to Italy! But not to the parts where the robbers are; we’ll stay in Rome and only travel by the great highways where we’ll be safe.”
And the daughter sighed very gently. And how much may lie in one little sigh or be read into it! The young man read a great deal into it. Those two blue eyes, bright that evening in his honor, must conceal treasures of heart and mind rarer than all the glories of Rome! When he left the party, he had lost his heart-lost it completely-to the young lady.
Now, the widow’s house was where Mr. Alfred the sculptor could most frequently be found. It was understood that his calls were not for the lady herself, though he and she did all the talking; he really came for the sake of the daughter. They called her Kala. Her real name was Karen Malene, but the two names had been contracted into the single name Kala. She was extremely, but some people said she was rather dull and probably slept late in the mornings.
“She has been accustomed to that since childhood,” said her mother. “She is as beautiful as Venus, and a beauty always tires easily. She does sleep rather late, but that’s what makes her eyes so bright.”
What a power there was in these clear eyes, these deep blue eyes! “Still waters run deep.” The young man felt the truth of that proverb, and his heart sank into the depths. He spoke of his adventures, and Mamma always asked the same naïve and pertinent questions she had asked at their first meeting.
It was a delight to hear Mr. Alfred speak. He told them of Naples, of trips to Mount Vesuvius, and showed them colored prints of some of the eruptions. The widow had never heard of such things before, much less taken time to think about them.
“Mercy save us!” she said. “So that’s a burning mountain! But isn’t it dangerous for the people who live there?”
“Entire cities have been destroyed,” he answered. “For example, Pompeii and Herculaneum.”
“Oh, the poor people! And you saw all that yourself?”
“Well, no, I didn’t see any of the eruptions shown in these pictures, but I’ll show you a drawing I made of an eruption I did see.”
He laid a pencil sketch on the table, and when Mamma, who had been studying the highly colored prints, glanced at the black-and-white drawing, she cried in amazement, “When you saw it did it throw up white fire?”
For a moment Alfred’s respect for Kala’s mamma nearly vanished; but then, dazzled by the light from Kala, he decided it was natural for the old lady to have no eye for color. After all, it didn’t matter, for Kala’s mamma had the most wonderful thing of all-she had Kala herself.
And Alfred and Kala were engaged, which was inevitable, and the engagement was announced in the town newspaper. Mamma brought thirty copies of the paper, so she could cut out the announcement and send it to her friends. The betrothed couple were happy, and the mamma-in-law-to-be was happy, too; she said it seemed like being related to Thorvaldsen himself.
“At any rate, you are his successor,” she told Alfred.
And it seemed to Alfred that Mamma had this time really said something clever. Kala said nothing, but her eyes sparkled; her every gesture was graceful. Yes, she was beautiful; that cannot be repeated too often.
Alfred made busts of Kala and his future mamma-in-law; they sat for him and watched how he molded and smoothed the soft clay between his fingers.
“I suppose it’s only for us that you do this common work,” said Mamma-in-law-to-be, “and don’t have your servant do all that dabbing together.”
“No, I have to mold the clay myself,” he explained.
“Oh, yes, you’re always so exceedingly polite,” said Mamma, while Kala silently pressed his hand, still soiled by the clay.
Then he unfolded to both of them the loveliness of nature in creation, explaining how the living stood higher in the scale than the dead, how the plant was above the mineral, the animal above the plant, and man above the animal, how mind and beauty are united in outward form, and how it was the task of the sculptor to seize that beauty and imprison it in his works.
Kala sat silent and nodded approval of the thought, while Mamma-in-law confessed, “It’s hard to follow all that. But my thoughts manage to hobble slowly along after you; they whirl around, but I try to hold them fast.”
And the power of Kala’s beauty held Alfred fast, seizing him and mastering him and filling his whole soul. There was beauty in Kala’s every feature; it sparkled in her eyes, lurked in the corners of her mouth and even in each movement of her fingers. The sculptor saw this; he spoke only of her, thought only of her, until the two became one. Thus it might be said that she also spoke often, for he was always talking of her, and they two were one.
Such was the betrothal; and now came the wedding day, with bridesmaids and presents, all duly mentioned in the wedding speech.
Mamma-in-law had set up a bust of Thorvaldsen, attired in a dressing gown, at one end of the table, for it was her whim that he was to be a guest. There were songs and toasts, for it was a gay wedding and they were a handsome pair. “Pygmalion gets his Galatea,” one of the songs said.
“That is something from mythology!” said Mamma-in-law.
Next day the young couple left for Copenhagen, where they were to live. Mamma-in-law went with them, “to give them a helping hand,” she explained-which meant to take charge of the house. Kala was to live in a doll’s house. Everything was so bright, new, and fine. There the three of them sat, and as for Alfred, to use a proverb that describes his circumstances, he sat like the bishop in the goose yard.
The magic of form had fascinated him. He had regarded the case and had no interest in learning what the case contained, and that is unfortunate, very unfortunate, in married life! If the case breaks and the gilding rubs off, the purchaser may repent of his bargain. It is very embarrassing to discover in a large party that one’s suspender buttons are coming off and that one has no belt to fall back on; but it is still worse to realize at a great party that one’s wife and mother-in-law are talking nonsense and that one cannot think of a clever piece of wit to cover up the stupidity of it.
The young couple often sat hand in hand, he speaking and she letting drop a word now and then-with always the same melody, like a clock striking the same two or three notes constantly. It was really a mental relief when one of her friends, Sophie, came to visit them.
Sophie wasn’t pretty. To be sure, she was not deformed; Kala always said she was a little crooked, but no one but a female friend would have noticed that. She was a very levelheaded girl and had no idea that she might ever become dangerous here. Her visits brought a fresh breath of air into the doll’s house, air that they all agreed was certainly needed there. But they felt they needed more airing, so they came out into the air, and Mamma-in-law and the young couple traveled to Italy.
“Thank heaven we are back in our own home again!” said both mother and daughter when they and Alfred returned home a year later.
“Traveling is no fun,” said Mamma-in-law. “On the contrary, it’s very tiring; pardon me for saying so. I found the time dragged, even though I had my children with me; and it is expensive, very expensive, to travel. All those galleries you have to see, and all the things you have to look at! You must do it for self-protection, because when you get back people are sure to ask you about them; and then they’re sure to tell you that you’ve missed the most worth-while things. I got so tired at last of those everlasting Madonnas; I thought I would turn into a Madonna myself!”
“And the food one gets!” said Kala.
“Yes,” agreed Mamma. “Not even a dish of honest meat soup! It is awful the way they cook!”
And Kala had become tired from traveling; she was always tired; that was the trouble. Sophie came to live with them, and her presence was a real help.
Mamma-in-law had to admit that Sophie understood both housekeeping and art, though you would hardly have expected a knowledge of the last from a person of her modest background. Moreover, she was honest and loyal; she showed that clearly when Kala lay sick, fading away.
If the case is everything, that case should be strong, or it is all over. And it was all over with the case-Kala died.
“She was so beautiful,” said Mamma. “She was very different from the antiques, because they’re all so damaged. Kala was completely perfect, just as a beauty should be.”
Alfred wept and the Mother wept, and both went into mourning. The black dresses became Mamma very well, so she wore her mourning the longer. Moreover, she soon experienced another grief, when she saw Alfred marry again. And he married Sophie, who had no looks at all!
“He has gone from one extreme to the other!” said Mamma-in-law. “Gone from the most beautiful to the ugliest! How could he forget his first wife! Men have no constancy. Now, my husband was entirely different, and he died before I did.”
“Pygmalion got his Galatea,” said Alfred. “Yes, that’s what the wedding song said. I really fell in love with a beautiful statue, which came to life in my arms, but the soul mate that heaven sends down to us, one of its angels who can comfort and sympathize with and uplift us, I have not found or won till now. You came to me, Sophie, not in the glory of superficial beauty – but fair enough, prettier than was necessary. The most important thing is still the most important. You came to teach a sculptor that his work is only clay and dust, only the outward form in a fabric that passes away, and that we must seek the spirit within. Poor Kala! Ours was but a wayfarer’s life. In the next world, where we shall come together through sympathy, we shall probably be half strangers to each other.
“That was not spoken kindly,” said Sophie, ” not like a true Christian. In the next world, where there is no marriage, but where, as you say, souls find each other through sympathy, where everything beautiful is developed and elevated, her soul may attain such completeness that it may resound far more melodiously than mine. Then you will again utter the first exciting cry of your love, ‘Beautiful, beautiful!’”
END
Hans Christian Andersen fairy tales and stories
kempis.nl poetry magazine
More in: Andersen, Hans Christian, Grimm, Andersen e.o.: Fables, Fairy Tales & Stories
Hans Christian Andersen
(1805—1875)
Pen and inkstand
In a poet’s study, somebody made a remark as he looked at the inkstand that was standing on the table: “It’s strange what can come out of that inkstand! I wonder what the next thing will be. Yes, it’s strange!”
“That it is!” said the Inkstand. “It’s unbelievable, that’s what I have always said.” The Inkstand was speaking to the Pen and to everything else on the table that could hear it. “It’s really amazing what comes out of me! Almost incredible! I actually don’t know myself what will come next when that person starts to dip into me. One drop from me is enough for half a piece of paper, and what may not be on it then? I am something quite remarkable. All the works of this poet come from me. These living characters, whom people think they recognize, these deep emotions, that gay humor, the charming descriptions of nature – I don’t understand those myself, because I don’t know anything about nature – all of that is in me. From me have come out, and still come out, that host of lovely maidens and brave knights on snorting steeds. The fact is, I assure you, I don’t know anything about them myself.”
“You are right about that,” said the Pen. “You have very few ideas, and don’t bother about thinking much at all. If you did take the trouble to think, you would understand that nothing comes out of you except a liquid. You just supply me with the means of putting down on paper what I have in me; that’s what I write with. It’s the pen that does the writing. Nobody doubts that, and most people know as much about poetry as an old inkstand!”
“You haven’t had much experience,” retorted the Inkstand. “You’ve hardly been in service a week, and already you’re half worn out. Do you imagine you’re the poet? Why, you’re only a servant; I have had a great many like you before you came, some from the goose family and some of English make. I’m familiar with both quill pens and steel pens. Yes, I’ve had a great many in my service, and I’ll have many more when the man who goes through the motions for me comes to write down what he gets from me. I’d be much interested in knowing what will be the next thing he gets from me.”
“Inkpot!” cried the Pen.
Late that evening the Poet came home. He had been at a concert, had heard a splendid violinist, and was quite thrilled with his marvelous performance. From his instrument he had drawn a golden river of melody. Sometimes it had sounded like the gentle murmur of rippling water drops, wonderful pearl-like tones, sometimes like a chorus of twittering birds, sometimes like a tempest tearing through mighty forests of pine. The Poet had fancied he heard his own heart weep, but in tones as sweet as the gentle voice of a woman. It seemed as if the music came not only from the strings of the violin, but from its sounding board, its pegs, its very bridge. It was amazing! The selection had been extremely difficult, but it had seemed as if the bow were wandering over the strings merely in play. The performance was so easy that an ignorant listener might have thought he could do it himself. The violin seemed to sound, and the bow to play, of their own accord, and one forgot the master who directed them, giving them life and soul. Yes, the master was forgotten, but the Poet remembered him. He repeated his name and wrote down his thoughts.
“How foolish it would be for the violin and bow to boast of their achievements! And yet we human beings often do so. Poets, artists, scientists, generals – we are all proud of ourselves, and yet we’re only instruments in the hands of our Lord! To Him alone be the glory! We have nothing to be arrogant about.”
Yes, that is what the Poet wrote down, and he titled his essay, “The Master and the Instruments.”
“That ought to hold you, madam,” said the Pen, when the two were alone again. “Did you hear him read aloud what I had written?”
“Yes, I heard what I gave you to write,” said the Inkstand. “It was meant for you and your conceit. It’s strange that you can’t tell when anyone is making fun of you. I gave you a pretty sharp cut there; surely I must know my own satire!”
“Inkpot!” said the Pen.
“Scribble-stick!” said the Inkstand.
They were both satisfied with their answers, and it is a great comfort to feel that one has made a witty reply – one sleeps better afterward. So they both went to sleep.
But the Poet didn’t sleep. His thoughts rushed forth like the violin’s tones, falling like pearls, sweeping on like a storm through the forest. He understood the sentiments of his own heart; he caught a ray of the light from the everlasting Master.
To him alone be the glory!
END
Hans Christian Andersen fairy tales and stories
kempis.nl poetry magazine
More in: Andersen, Hans Christian, Grimm, Andersen e.o.: Fables, Fairy Tales & Stories
Hans Christian Andersen
(1805—1875)
The nightingale
In China, you know, the emperor is a Chinese, and all those about him are Chinamen also. The story I am going t tell you happened a great many years ago, so it is well to hear it now before it is forgotten. The emperor’s palac was the most beautiful in the world. It was built entirely of porcelain, and very costly, but so delicate and brittle tha whoever touched it was obliged to be careful. In the garden could be seen the most singular flowers, with prett silver bells tied to them, which tinkled so that every one who passed could not help noticing the flowers. Indeed everything in the emperor’s garden was remarkable, and it extended so far that the gardener himself did not kno where it ended. Those who travelled beyond its limits knew that there was a noble forest, with lofty trees, slopin down to the deep blue sea, and the great ships sailed under the shadow of its branches. In one of these trees live a nightingale, who sang so beautifully that even the poor fishermen, who had so many other things to do, woul stop and listen. Sometimes, when they went at night to spread their nets, they would hear her sing, and say, “Oh, i not that beautiful?” But when they returned to their fishing, they forgot the bird until the next night. Then they woul hear it again, and exclaim “Oh, how beautiful is the nightingale’s song!
Travellers from every country in the world came to the city of the emperor, which they admired very much, as well as the palace and gardens; but when they heard the nightingale, they all declared it to be the best of all.
And the travellers, on their return home, related what they had seen; and learned men wrote books, containing descriptions of the town, the palace, and the gardens; but they did not forget the nightingale, which was really the greatest wonder. And those who could write poetry composed beautiful verses about the nightingale, who lived in a forest near the deep sea.
The books travelled all over the world, and some of them came into the hands of the emperor; and he sat in his golden chair, and, as he read, he nodded his approval every moment, for it pleased him to find such a beautiful description of his city, his palace, and his gardens. But when he came to the words, “the nightingale is the most beautiful of all,” he exclaimed:
“What is this? I know nothing of any nightingale. Is there such a bird in my empire? and even in my garden? I have never heard of it. Something, it appears, may be learnt from books.”
Then he called one of his lords-in-waiting, who was so high-bred, that when any in an inferior rank to himself spoke to him, or asked him a question, he would answer, “Pooh,” which means nothing.
“There is a very wonderful bird mentioned here, called a nightingale,” said the emperor; “they say it is the best thing in my large kingdom. Why have I not been told of it?”
“I have never heard the name,” replied the cavalier; “she has not been presented at court.”
“It is my pleasure that she shall appear this evening.” said the emperor; “the whole world knows what I possess better than I do myself.”
“I have never heard of her,” said the cavalier; “yet I will endeavor to find her.”
But where was the nightingale to be found? The nobleman went up stairs and down, through halls and passages; yet none of those whom he met had heard of the bird. So he returned to the emperor, and said that it must be a fable, invented by those who had written the book. “Your imperial majesty,” said he, “cannot believe everything contained in books; sometimes they are only fiction, or what is called the black art.”
“But the book in which I have read this account,” said the emperor, “was sent to me by the great and mighty emperor of Japan, and therefore it cannot contain a falsehood. I will hear the nightingale, she must be here this evening; she has my highest favor; and if she does not come, the whole court shall be trampled upon after supper is ended.”
“Tsing-pe!” cried the lord-in-waiting, and again he ran up and down stairs, through all the halls and corridors; and half the court ran with him, for they did not like the idea of being trampled upon. There was a great inquiry about this wonderful nightingale, whom all the world knew, but who was unknown to the court.
At last they met with a poor little girl in the kitchen, who said, “Oh, yes, I know the nightingale quite well; indeed, she can sing. Every evening I have permission to take home to my poor sick mother the scraps from the table; she lives down by the sea-shore, and as I come back I feel tired, and I sit down in the wood to rest, and listen to the nightingale’s song. Then the tears come into my eyes, and it is just as if my mother kissed me.”
“Little maiden,” said the lord-in-waiting, “I will obtain for you constant employment in the kitchen, and you shall have permission to see the emperor dine, if you will lead us to the nightingale; for she is invited for this evening to the palace.”
So she went into the wood where the nightingale sang, and half the court followed her. As they went along, a cow began lowing.
“Oh,” said a young courtier, “now we have found her; what wonderful power for such a small creature; I have certainly heard it before.”
“No, that is only a cow lowing,” said the little girl; “we are a long way from the place yet.”
Then some frogs began to croak in the marsh.
“Beautiful,” said the young courtier again. “Now I hear it, tinkling like little church bells.”
“No, those are frogs,” said the little maiden; “but I think we shall soon hear her now:”
And presently the nightingale began to sing.
“Hark, hark! there she is,” said the girl, “and there she sits,” she added, pointing to a little gray bird who was perched on a bough.
“Is it possible?” said the lord-in-waiting, “I never imagined it would be a little, plain, simple thing like that. She has certainly changed color at seeing so many grand people around her.”
“Little nightingale,” cried the girl, raising her voice, “our most gracious emperor wishes you to sing before him.”
“With the greatest pleasure,” said the nightingale, and began to sing most delightfully.
“It sounds like tiny glass bells,” said the lord-in-waiting, “and see how her little throat works. It is surprising that we have never heard this before; she will be a great success at court.”
“Shall I sing once more before the emperor?” asked the nightingale, who thought he was present.
“My excellent little nightingale,” said the courtier, “I have the great pleasure of inviting you to a court festival this evening, where you will gain imperial favor by your charming song.”
“My song sounds best in the green wood,” said the bird; but still she came willingly when she heard the emperor’s wish.
The palace was elegantly decorated for the occasion. The walls and floors of porcelain glittered in the light of a thousand lamps. Beautiful flowers, round which little bells were tied, stood in the corridors: what with the running to and fro and the draught, these bells tinkled so loudly that no one could speak to be heard.
In the centre of the great hall, a golden perch had been fixed for the nightingale to sit on. The whole court was present, and the little kitchen-maid had received permission to stand by the door. She was not installed as a real court cook. All were in full dress, and every eye was turned to the little gray bird when the emperor nodded to her to begin.
The nightingale sang so sweetly that the tears came into the emperor’s eyes, and then rolled down his cheeks, as her song became still more touching and went to every one’s heart. The emperor was so delighted that he declared the nightingale should have his gold slipper to wear round her neck, but she declined the honor with thanks: she had been sufficiently rewarded already.
“I have seen tears in an emperor’s eyes,” she said, “that is my richest reward. An emperor’s tears have wonderful power, and are quite sufficient honor for me;” and then she sang again more enchantingly than ever.
“That singing is a lovely gift;” said the ladies of the court to each other; and then they took water in their mouths to make them utter the gurgling sounds of the nightingale when they spoke to any one, so thay they might fancy themselves nightingales. And the footmen and chambermaids also expressed their satisfaction, which is saying a great deal, for they are very difficult to please. In fact the nightingale’s visit was most successful.
She was now to remain at court, to have her own cage, with liberty to go out twice a day, and once during the night. Twelve servants were appointed to attend her on these occasions, who each held her by a silken string fastened to her leg. There was certainly not much pleasure in this kind of flying.
The whole city spoke of the wonderful bird, and when two people met, one said “nightin,” and the other said “gale,” and they understood what was meant, for nothing else was talked of. Eleven peddlers’ children were named after her, but not of them could sing a note.
One day the emperor received a large packet on which was written “The Nightingale.”
“Here is no doubt a new book about our celebrated bird,” said the emperor. But instead of a book, it was a work of art contained in a casket, an artificial nightingale made to look like a living one, and covered all over with diamonds, rubies, and sapphires. As soon as the artificial bird was wound up, it could sing like the real one, and could move its tail up and down, which sparkled with silver and gold. Round its neck hung a piece of ribbon, on which was written “The Emperor of China’s nightingale is poor compared with that of the Emperor of Japan’s.”
“This is very beautiful,” exclaimed all who saw it, and he who had brought the artificial bird received the title of “Imperial nightingale-bringer-in-chief.”
“Now they must sing together,” said the court, “and what a duet it will be.”
But they did not get on well, for the real nightingale sang in its own natural way, but the artificial bird sang only waltzes. “That is not a fault,” said the music-master, “it is quite perfect to my taste,” so then it had to sing alone, and was as successful as the real bird; besides, it was so much prettier to look at, for it sparkled like bracelets and breast-pins.
Thirty three times did it sing the same tunes without being tired; the people would gladly have heard it again, but the emperor said the living nightingale ought to sing something. But where was she? No one had noticed her when she flew out at the open window, back to her own green woods.
“What strange conduct,” said the emperor, when her flight had been discovered; and all the courtiers blamed her, and said she was a very ungrateful creature. “But we have the best bird after all,” said one, and then they would have the bird sing again, although it was the thirty-fourth time they had listened to the same piece, and even then they had not learnt it, for it was rather difficult. But the music-master praised the bird in the highest degree, and even asserted that it was better than a real nightingale, not only in its dress and the beautiful diamonds, but also in its musical power.
“For you must perceive, my chief lord and emperor, that with a real nightingale we can never tell what is going to be sung, but with this bird everything is settled. It can be opened and explained, so that people may understand how the waltzes are formed, and why one note follows upon another.”
“This is exactly what we think,” they all replied, and then the music-master received permission to exhibit the bird to the people on the following Sunday, and the emperor commanded that they should be present to hear it sing. When they heard it they were like people intoxicated; however it must have been with drinking tea, which is quite a Chinese custom. They all said “Oh!” and held up their forefingers and nodded, but a poor fisherman, who had heard the real nightingale, said, “it sounds prettily enough, and the melodies are all alike; yet there seems something wanting, I cannot exactly tell what.”
And after this the real nightingale was banished from the empire.
The artificial bird was placed on a silk cushion close to the emperor’s bed. The presents of gold and precious stones which had been received with it were round the bird, and it was now advanced to the title of “Little Imperial Toilet Singer,” and to the rank of No. 1 on the left hand; for the emperor considered the left side, on which the heart lies, as the most noble, and the heart of an emperor is in the same place as that of other people. The music-master wrote a work, in twenty-five volumes, about the artificial bird, which was very learned and very long, and full of the most difficult Chinese words; yet all the people said they had read it, and understood it, for fear of being thought stupid and having their bodies trampled upon.
So a year passed, and the emperor, the court, and all the other Chinese knew every little turn in the artificial bird’s song; and for that same reason it pleased them better. They could sing with the bird, which they often did. The street-boys sang, “Zi-zi-zi, cluck, cluck, cluck,” and the emperor himself could sing it also. It was really most amusing.
One evening, when the artificial bird was singing its best, and the emperor lay in bed listening to it, something inside the bird sounded “whizz.” Then a spring cracked. “Whir-r-r-r” went all the wheels, running round, and then the music stopped.
The emperor immediately sprang out of bed, and called for his physician; but what could he do? Then they sent for a watchmaker; and, after a great deal of talking and examination, the bird was put into something like order; but he said that it must be used very carefully, as the barrels were worn, and it would be impossible to put in new ones without injuring the music. Now there was great sorrow, as the bird could only be allowed to play once a year; and even that was dangerous for the works inside it. Then the music-master made a little speech, full of hard words, and declared that the bird was as good as ever; and, of course no one contradicted him.
Five years passed, and then a real grief came upon the land. The Chinese really were fond of their emperor, and he now lay so ill that he was not expected to live. Already a new emperor had been chosen and the people who stood in the street asked the lord-in-waiting how the old emperor was.
But he only said, “Pooh!” and shook his head.
Cold and pale lay the emperor in his royal bed; the whole court thought he was dead, and every one ran away to pay homage to his successor. The chamberlains went out to have a talk on the matter, and the ladies’-maids invited company to take coffee. Cloth had been laid down on the halls and passages, so that not a footstep should be heard, and all was silent and still. But the emperor was not yet dead, although he lay white and stiff on his gorgeous bed, with the long velvet curtains and heavy gold tassels. A window stood open, and the moon shone in upon the emperor and the artificial bird.
The poor emperor, finding he could scarcely breathe with a strange weight on his chest, opened his eyes, and saw Death sitting there. He had put on the emperor’s golden crown, and held in one hand his sword of state, and in the other his beautiful banner. All around the bed and peeping through the long velvet curtains, were a number of strange heads, some very ugly, and others lovely and gentle-looking. These were the emperor’s good and bad deeds, which stared him in the face now Death sat at his heart.
“Do you remember this?” “Do you recollect that?” they asked one after another, thus bringing to his remembrance circumstances that made the perspiration stand on his brow.
“I know nothing about it,” said the emperor. “Music! music!” he cried; “the large Chinese drum! that I may not hear what they say.”
But they still went on, and Death nodded like a Chinaman to all they said.
“Music! music!” shouted the emperor. “You little precious golden bird, sing, pray sing! I have given you gold and costly presents; I have even hung my golden slipper round your neck. Sing! sing!”
But the bird remained silent. There was no one to wind it up, and therefore it could not sing a note. Death continued to stare at the emperor with his cold, hollow eyes, and the room was fearfully still.
Suddenly there came through the open window the sound of sweet music. Outside, on the bough of a tree, sat the living nightingale. She had heard of the emperor’s illness, and was therefore come to sing to him of hope and trust. And as she sung, the shadows grew paler and paler; the blood in the emperor’s veins flowed more rapidly, and gave life to his weak limbs; and even Death himself listened, and said, “Go on, little nightingale, go on.”
“Then will you give me the beautiful golden sword and that rich banner? and will you give me the emperor’s crown?” said the bird.
So Death gave up each of these treasures for a song; and the nightingale continued her singing. She sung of the quiet churchyard, where the white roses grow, where the elder-tree wafts its perfume on the breeze, and the fresh, sweet grass is moistened by the mourners’ tears. Then Death longed to go and see his garden, and floated out through the window in the form of a cold, white mist.
“Thanks, thanks, you heavenly little bird. I know you well. I banished you from my kingdom once, and yet you have charmed away the evil faces from my bed, and banished Death from my heart, with your sweet song. How can I reward you?”
“You have already rewarded me,” said the nightingale. “I shall never forget that I drew tears from your eyes the first time I sang to you. These are the jewels that rejoice a singer’s heart. But now sleep, and grow strong and well again. I will sing to you again.”
And as she sung, the emperor fell into a sweet sleep; and how mild and refreshing that slumber was!
When he awoke, strengthened and restored, the sun shone brightly through the window; but not one of his servants had returned– they all believed he was dead; only the nightingale still sat beside him, and sang.
“You must always remain with me,” said the emperor. “You shall sing only when it pleases you; and I will break the artificial bird into a thousand pieces.”
“No; do not do that,” replied the nightingale; “the bird did very well as long as it could. Keep it here still. I cannot live in the palace, and build my nest; but let me come when I like. I will sit on a bough outside your window, in the evening, and sing to you, so that you may be happy, and have thoughts full of joy. I will sing to you of those who are happy, and those who suffer; of the good and the evil, who are hidden around you. The little singing bird flies far from you and your court to the home of the fisherman and the peasant’s cot. I love your heart better than your crown; and yet something holy lingers round that also. I will come, I will sing to you; but you must promise me one thing.”
“Everything,” said the emperor, who, having dressed himself in his imperial robes, stood with the hand that held the heavy golden sword pressed to his heart.
“I only ask one thing,” she replied; “let no one know that you have a little bird who tells you everything. It will be best to conceal it.”
So saying, the nightingale flew away.
The servants now came in to look after the dead emperor; when, lo! there he stood, and, to their astonishment, said, “Good morning.”
END
Hans Christian Andersen fairy tales and stories
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Die Sterntaler
Es war einmal ein kleines Mädchen, dem war Vater und Mutter gestorben, und es war so arm, dass es kein Kämmerchen mehr hatte, darin zu wohnen, und kein Bettchen mehr hatte, darin zu schlafen, und endlich gar nichts mehr als die Kleider auf dem Leib und ein Stückchen Brot in der Hand, das ihm ein mitleidiges Herz geschenkt hatte. Es war aber gut und fromm. Und weil es so von aller Welt verlassen war, ging es im Vertrauen auf den lieben Gott hinaus ins Feld.
Da begegnete ihm ein armer Mann, der sprach: “Ach, gib mir etwas zu essen, ich bin so hungrig.” Es reichte ihm das ganze Stückchen Brot und sagte: “Gott segne dir’s,” und ging weiter. Da kam ein Kind, das jammerte und sprach: “Es friert mich so an meinem Kopfe, schenk mir etwas, womit ich ihn bedecken kann.” Da tat es seine Mütze ab und gab sie ihm. Und als es noch eine Weile gegangen war, kam wieder ein Kind und hatte kein Leibchen an und fror: da gab es ihm seins; und noch weiter, da bat eins um ein Röcklein, das gab es auch von sich hin. Endlich gelangte es in einen Wald, und es war schon dunkel geworden, da kam noch eins und bat um ein Hemdlein, und das fromme Mädchen dachte: “Es ist dunkle Nacht, da sieht dich niemand, du kannst wohl dein Hemd weggeben,” und zog das Hemd ab und gab es auch noch hin.
Und wie es so stand und gar nichts mehr hatte, fielen auf einmal die Sterne vom Himmel, und waren lauter blanke Taler; und ob es gleich sein Hemdlein weggegeben, so hatte es ein neues an, und das war vom allerfeinsten Linnen. Da sammelte es sich die Taler hinein und war reich für sein Lebtag.
ENDE
Die Märchen der Brüder Grimm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Frau Trude
Es war einmal ein kleines Mädchen, das war eigensinnig und vorwitzig, und wenn ihm seine Eltern etwas sagten, so gehorchte es nicht: wie konnte es dem gut gehen? Eines Tages sagte es zu seinen Eltern: “Ich habe so viel von der Frau Trude gehört, ich will einmal zu ihr hingehen, die Leute sagen, es sehe so wunderlich bei ihr aus, und erzählen, es seien so seltsame Dinge in ihrem Hause, da bin ich ganz neugierig geworden.” Die Eltern verboten es ihr streng und sagten: “Die Frau Trude ist eine böse Frau, die gottlose Dinge treibt, und wenn du zu ihr hingehst, so bist du unser Kind nicht mehr.” Aber das Mädchen kehrte sich nicht an das Verbot seiner Eltern und ging doch zu der Frau Trude. Und als es zu ihr kam, fragte die Frau Trude: “Warum bist du so bleich?” “Ach,” antwortete es und zitterte am Leibe, “ich habe mich so erschrocken über das, was ich gesehen habe.” “Was hast du gesehen?” “Ich sah auf Eurer Stiege einen schwarzen Mann.” “Das war ein Köhler.” “Dann sah ich einen grünen Mann.” “Das war ein Jäger.” “Danach sah ich einen blutroten Mann.” “Das war ein Metzger.” “Ach, Frau Trude, mir grauste, ich sah durchs Fenster und sah Euch nicht, wohl aber den Teufel mit feurigem Kopf.” “Oho,” sagte sie, “so hast du die Hexe in ihrem rechten Schmuck gesehen: ich habe schon lange auf dich gewartet und nach dir verlangt, du sollst mir leuchten.” Da verwandelte sie das Mädchen in einen Holzblock und warf ihn ins Feuer. Und als er in voller Glut war, setzte sie sich daneben, wärmte sich daran und sprach: “Das leuchtet einmal hell!”
ENDE
Die Märchen der Brüder Grimm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Blanche-Rose et Rose-Rouge
Une veuve vivait dans une maison coquette avec ses deux filles qu’elle avait prénommées Blanche-Rose et Rose-Rouge parce qu’elles ressemblaient aux boutons des deux rosiers sauvages, l’un blanc, l’autre rouge, qui croissaient en son jardin.
Blanche-Rose et Rose-Rouge étaient des enfants bonnes, sages, travailleuses et vaillantes ; elles s’aimaient de tout leur cœur. Quand Blanche-Rose murmurait : ” Nous nous aimerons “, Rose-Rouge répondait : ” Toute notre vie ” et leur mère ajoutait : ” Ce que l’une aura, elle le partagera avec l’autre “.
Ensemble, elles allaient au petit bois cueillir des fraises ; les animaux de la forêt les connaissaient bien. Le lièvre venait en boule rouler à leurs pieds et grignoter la carotte qu’elles lui avaient apportées. Les cerfs les égayaient de leurs bondissements majestueux et les oiseaux, au faîte des arbres, pépiaient et chantaient à gorge déployée. Quand elles s’attardaient dans la forêt et que la nuit les surprenait, elles couchaient l’une contre l’autre sur la mousse odorante, et s’endormaient jusqu’au matin. Leur mère ne se faisait pas de souci car elle savait qu’elles ne risquaient rien.
Blanche-Rose et Rose-Rouge aimaient tant leur maison qu’elles la soignaient à longueur de journée. A la saison d’été, Rose-Rouge faisait le ménage et déposait tous les matins, avant que sa mère ne se réveillât, un bouquet de roses blanches et de roses rouges. A la saison d’hiver, c’était Blanche-Rose qui entretenait l’âtre où brillait la marmite de cuivre pendue à la crémaillère.
Or, un soir d’hiver :
- Blanche-Rose, va mettre le verrou, dit la maman.
Puis elles s’assit près de la cheminée, mit ses lunettes et commença un conte. Les fillettes écoutaient en filant. A leurs pieds, un mouton, la tête entre les pattes, se chauffait, et les colombes sur leur perchoir roucoulaient encore un peu avant de mettre la tête sous l’aile.
Tout à coup, on frappa à la porte.
- Va vite ouvrir, Rose-Rouge, dit la mère ; un homme, peut-être, veut s’abriter.
Rose-Rouge tira le verrou, et un gros ours brun passa la tête dans l’entrebâillement de la porte. Rose-Rouge affolée, se jeta derrière le fauteuil de sa mère et Blanche-Rose se cacha derrière le lit. Le mouton était paralysé de terreur, et les colombes voletaient de tous les côtés.
- Que craignez-vous ? Je ne veux de mal à personne, j’ai surtout si froid …
- Viens, mon pauvre ours, dit la mère. Viens te coucher près du feu. Blanche-Rose et Rose-Rouge, sortez de vos cachettes, petites peureuses.
Les deux fillettes, tranquillisées, s’approchèrent. Le moutons et les colombes aussi …
- Chères enfants, retirez-moi cette neige de ma fourrure.
Avec une brosse, elles lissèrent le pelage épais du gros ours brun qui s’étendit devant l’âtre en grognant de plaisir. Ayant perdu toute peur et toute timidité, elles s’amusèrent à l’envi avec leur nouvel ami. Il était lourd et pataud. Elles lui tiraient les poils, enfonçaient leurs petites mains dans la fourrure chaude comme un nid, ou bien, avec une baguette, le taquinaient. De temps en temps, lorsqu’elles allaient un peu trop fort et partaient d’un grand éclat de rire, il grognait :
- Blanche-Rose, Rose-Rouge, ne tuez pas votre fiancé.
L’heure du coucher sonna à la vieille horloge ; les deux enfants s’en allèrent au lit sagement. La man dit à l’ours :
- Reste là si tu veux, près du feu. Il fait trop froid dehors.
A l’aurore, il s’en retourna dans les bois d’où il était venu. Les jours qui suivirent, ponctuellement, l’ours revint au logis. Les fillettes ne fermaient plus la porte avant qu’il ne fût revenu se coucher devant l’âtre où il jouait avec elles des heures durant.
Quand le printemps reverdit toutes les plantes, tous les arbres, l’ours dit adieu à ses amies pour aller vivre tout l’été dans la forêt.
- Mais pourquoi donc ? s’étonna Blanche-Rose.
- Pour empêcher que les méchants nains ne volent mon trésor. L’hiver, la terre est gelée, les nains ne peuvent sortir des profondeurs de leurs grottes. Au printemps, le soleil réchauffe et dégèle le sol. Ils vont sortir, venir me piller, et ce qu’ils dérobent, on ne le retrouve jamais.
Blanche-Rose et Rose-Rouge se résignèrent à leur chagrin. En passant dans l’ouverture de la porte, l’ours accrocha au loquet un morceau de son pelage. Blanche-Rose crut voir briller sous la peau l’éclat de l’or, mais l’ours s’enfuit …
Quelques semaines après, tandis que les fillettes allaient ramasser du petit bois dans la forêt, elles rencontrèrent, sur un arbre abattu, un nain tout ridé dont la longue barbe blanche était prise dans une fente. Il sautait de droite et de gauche sans pouvoir se tirer de ce mauvais pas.
- Pourquoi me regarder de la sorte ? vous feriez mieux de m’aider, lança-t-il aux fillettes.
- Que fais-tu là ? répliqua Rose-Rouge.
- Sotte que tu es ! Curieuse ! En coupant du bois en très petits morceaux, j’ai coincé ma belle barbe. Me voilà bien pris ! Je ne peux plus m’en aller ! Cela vous fait rire, visages de cire ! Fi donc ! Comme vous êtes vilaines !
- Je cours chercher de l’aide, s’exclama Rose-Rouge.
- Tête de linotte ! grogna le nain. N’êtes-vous pas assez grandes pour me tirer de là ?
- Prenez patience, dit Blanche-Rose en fouillant dans ses poches.
Elle exhiba une paire de ciseaux et se mit à couper le bout de la barbe.
A peine libéré, le nain prit le sac caché entre les racines de l’arbre et ronchonna :
- Qu’elles sont stupides ! Avoir coupé ma si belle barbe !
Il jeta le sac sur ses épaules et s’en alla sans un mot de remerciement.
A quelque temps de là, les deux fillettes voulurent pêcher des poissons. Elles allaient s’installer près du ruisseau, quand, sur la rive, elles aperçurent, qui sautait dans tous les sens, une sorte de grosse sauterelle. En s’approchant, elles reconnurent le nain. Rose-Rouge, étonnée le questionna :
- Veux-tu sauter dans le ruisseau ?
- Sotte, je ne suis pas si bête. Mais voyez ce poisson de malheur …
Le nain en pêchant avait pris sa barbe dans la ligne ; un poisson énorme pris l’hameçon allait entraîner la faible créature qui n’avait pas la force suffisante pour se tirer d’affaire. Il se cramponnait à toutes le tiges, à tous les brins d’osier, mais il ne pouvait plus lutter. Barbe et fil étaient si entremêlés que la seule solution était de couper un peu plus la belle barbe blanche. Libéré, le nain s’écria :
- Mes pauvres filles, vous êtes toujours aussi sottes et laides ; me voilà dans un bel état !
Puis, ramassant un sac de perles fines dissimulé dans les roseaux, il disparut derrière une pierre.
Quelques jours passèrent. La maman eut besoin de fil, d’aiguilles, de dentelles et de rubans ; elle envoya ses filles à la ville, chez la mercière. Le chemin qu’elles devaient prendre passait par une clairière semée de rochers. Comme elles l’atteignaient, les fillettes virent dans le ciel un grand oiseau qui tournoyait lentement, dans un long vol plané. Soudain, il s’abattit sur le sol. Elles entendirent un cri de douleur.
S’étant approchées, elles reconnurent avec effroi leur vieille rencontre, le nain, qu’un aigle avait saisir dans ses serres et allait emporter. Courageusement, les deux enfants se saisirent d’un bâton et se précipitèrent à son secours. Elles se battirent tant et tant pour arracher le petit homme aux serres de l’oiseau qu’à la fin, elles vainquirent.
Tout juste remis de sa peur, le nain glapit :
- Vous avez déchiré mon bel habit. Vous êtes toujours aussi sottes et maladroites, et toujours aussi laides, tout juste bonnes pour aller au diable !
Chargeant alors sur son dos un sac de pierres précieuses qui se trouvait derrière un gros rocher, il se faufila dans une crevasse ouverte dans le sol.Les fillettes, habituées à cette ingratitude, ne s’émurent pas outre mesure, et continuèrent leur chemin jusqu’à la ville.
Le soir, en revenant, elles prirent le même sentier qu’au matin ; elles surprirent le nain en contemplation devant les pierres précieuses qu’il avait vidées de son sac et qui éclataient de mille feux aux lueurs du couchant. Emerveillées, elles s’arrêtèrent :
-Vous ne savez que bayer aux corneilles, décidément ! jeta le nain, tout rouge. Partez d’ici !
Et, tandis qu’il criait sa colère, un grand ours brun sortit pesamment des buissons.
Le nain, fou de terreur, fit un saut en arrière en hurlant :
- Monsieur l’ours, laissez-moi la vie ; je vous donne toutes ces pierres précieuses. Je suis tout petit, si chétif. Voyez ces deux fillettes, grasses comme des oies. Elles feront bien mieux votre affaire.
D’un seul coup de patte, sans autre forme de procès, l’ours supprima le méchant nain pour toujours. Les deux sœurs affolées allaient s’enfuir quand l’ours murmura :
- Blanche-Rose, Rose-Rouge, je suis votre ami.
Au son de cette voix connue et aimée, les fillettes se retournèrent. Quel étrange spectacle ! La peau de l’ours tombait lentement et, sur le pelage qui faisait un tapis, se dressait un bel homme tout d’or vêtu.
-Je suis fils de roi, expliqua-t-il. Ce maudit nain m’a jeté un sort en volant mes trésors. J’étais condamné à courir les bois sous la forme d’un ours sauvage jusqu’à ce que sa mort me délivrât. Il a reçu le châtiment qu’il méritait …
Blanche-Rose épousa le prince et Rose-Rouge, le frère du prince. Ils partagèrent l’immense trésor que le nain avait amassé et vécurent ainsi dans l’opulence. Leur maman devenue vieille, fut invitée à venir vivre au milieu de ses enfants et petits-enfants. On transplanta dans le jardin du palais royal les deux rosiers qui avaient vu grandir les fillettes et ils donnèrent des roses plus belles d’année en année.
FIN
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Das Rätsel
Es war einmal ein Königssohn, der bekam Lust, in der Welt umherzuziehen, und nahm niemand mit als einen treuen Diener. Eines Tags geriet er in einen großen Wald, und als der Abend kam, konnte er keine Herberge finden und wußte nicht, wo er die Nacht zubringen sollte. Da sah er ein Mädchen, das nach einem kleinen Häuschen zuging, und als er näher kam, sah er, daß das Mädchen jung und schön war. Er redete es an und sprach ‘liebes Kind, kann ich und mein Diener in dem Häuschen für die Nacht ein Unterkommen finden?’ ‘Ach ja,’ sagte das Mädchen mit trauriger Stimme, ‘das könnt ihr wohl, aber ich rate euch nicht dazu; geht nicht hinein.’ ‘Warum soll ich nicht?’ fragte der Königssohn. Das Mädchen seufzte und sprach ‘meine Stiefmutter treibt böse Künste, sie meints nicht gut mit den Fremden.’ Da merkte er wohl, daß er zu dem Hause einer Hexe gekommen war, doch weil es finster ward und er nicht weiter konnte, sich auch nicht fürchtete, so trat er ein. Die Alte saß auf einem Lehnstuhl beim Feuer und sah mit ihren roten Augen die Fremden an. ‘Guten Abend,’ schnarrte sie und tat ganz freundlich, ‘laßt euch nieder und ruht euch aus.’ Sie blies die Kohlen an, bei welchen sie in einem kleinen Topf etwas kochte. Die Tochter warnte die beiden, vorsichtig zu sein, nichts zu essen und nichts zu trinken, denn die Alte braue böse Getränke. Sie schliefen ruhig bis zum frühen Morgen. Als sie sich zur Abreise fertig machten und der Königssohn schon zu Pferde saß, sprach die Alte ‘warte einen Augenblick, ich will euch erst einen Abschiedstrank reichen.’ Während sie ihn holte, ritt der Königssohn fort, und der Diener, der seinen Sattel festschnallen mußte, war allein noch zugegen, als die böse Hexe mit dem Trank kam. ‘Das bring deinem Herrn,’ sagte sie, aber in dem Augenblick sprang das Glas, und das Gift spritzte auf das Pferd, und war so heftig, daß das Tier gleich tot hinst ürzte. Der Diener lief seinem Herrn nach und erzählte ihm, was geschehen war, wollte aber den Sattel nicht im Stich lassen und lief zurück, um ihn zu holen. Wie er aber zu dem toten Pferde kam, saß schon ein Rabe darauf und fraß davon. ‘Wer weiß, ob wir heute noch etwas Besseres finden,’ sagte der Diener, tötete den Raben und nahm ihn mit. Nun zogen sie in dem Walde den ganzen Tag weiter, konnten aber nicht herauskommen. Bei Anbruch der Nacht fanden sie ein Wirtshaus und gingen hinein. Der Diener gab dem Wirt den Raben, den er zum Abendessen bereiten sollte. Sie waren aber in eine Mördergrube geraten, und in der Dunkelheit kamen zwölf Mörder und wollten die Fremden umbringen und berauben. Ehe sie sich aber ans Werk machten, setzten sie sich zu Tisch, und der Wirt und die Hexe setzten sich zu ihnen, und sie aßen zusammen eine Schüssel mit Suppe, in die das Fleisch des Raben gehackt war. Kaum aber hatten sie ein paar Bissen hinuntergeschluckt, so fielen sie alle tot nieder, denn dem Raben hatte sich das Gift von dem Pferdefleisch mitgeteilt. Es war nun niemand mehr im Hause übrig als die Tochter des Wirts, die es redlich meinte und an den gottlosen Dingen keinen Teil genommen hatte. Sie öffnete dem Fremden alle Türen und zeigte ihm die angehäuften Schätze. Der Königssohn aber sagte, sie möchte alles behalten, er wollte nichts davon, und ritt mit seinem Diener weiter.
Nachdem sie lange herumgezogen waren, kamen sie in eine Stadt, worin eine schöne, aber übermütige Königstochter war, die hatte bekanntmachen lassen, wer ihr ein Rätsel vorlegte, das sie nicht erraten könnte, der sollte ihr Gemahl werden: erriete sie es aber, so müßte er sich das Haupt abschlagen lassen. Drei Tage hatte sie Zeit, sich zu besinnen, sie war aber so klug, daß sie immer die vorgelegten Rätsel vor der bestimmten Zeit erriet. Schon waren neune auf diese Weise umgekommen, als der Königssohn anlangte und, von ihrer großen Schönheit geblendet, sein Leben daransetzen wollte. Da trat er vor sie hin und gab ihr sein Rätsel auf, ‘was ist das,’ sagte er, ‘einer schlug keinen und schlug doch zwölfe.’ Sie wußte nicht, was das war, sie sann und sann, aber sie brachte es nicht heraus: sie schlug ihre Rätselbücher auf, aber es stand nicht darin: kurz, ihre Weisheit war zu Ende. Da sie sich nicht zu helfen wußte, befahl sie ihrer Magd, in das Schlafgemach des Herrn zu schleichen, da sollte sie seine Träume behorchen, und dachte, er rede vielleicht im Schlaf und verrate das Rätsel. Aber der kluge Diener hatte sich statt des Herrn ins Bett gelegt, und als die Magd herankam, riß er ihr den Mantel ab, in den sie sich verhüllt hatte, und jagte sie mit Ruten hinaus. In der zweiten Nacht schickte die Königstochter ihre Kammerjungfer, die sollte sehen, ob es ihr mit Horchen besser glückte, aber der Diener nahm auch ihr den Mantel weg und jagte sie mit Ruten hinaus. Nun glaubte der Herr für die dritte Nacht sicher zu sein und legte sich in sein Bett, da kam die Königstochter selbst, hatte einen nebelgrauen Mantel umgetan und setzte sich neben ihn. Und als sie dachte, er schliefe und träumte, so redete sie ihn an und hoffte, er werde im Traume antworten, wie viele tun: aber er war wach und verstand und hörte alles sehr wohl. Da fragte sie ‘einer schlug keinen, was ist das?’ Er antwortete ‘ein Rabe, der von einem toten und vergifteten Pferde fraß und davon starb.’ Weiter fragte sie ‘und schlug doch zwölfe, was ist das?’ ‘Das sind zwölf Mörder, die den Raben verzehrten und daran starben.’ Als sie das Rätsel wußte, wollte sie sich fortschleichen, aber er hielt ihren Mantel fest, daß sie ihn zurücklassen mußte. Am andern Morgen verkündigte die Königstochter, sie habe das Rätsel erraten, und ließ die zwölf Richter kommen und löste es vor ihnen. Aber der Jüngling bat sich Gehör aus und sagte ‘sie ist in der Nacht zu mir geschlichen und hat mich ausgefragt, denn sonst hätte sie es nicht erraten.’ Die Richter sprachen ‘bringt uns ein Wahrzeichen.’ Da wurden die drei Mäntel von dem Diener herbeigebracht, und als die Richter den nebelgrauen erblickten, den die Königstochter zu tragen pflegte, so sagten sie ‘laßt den Mantel sticken mit Gold und Silber, so wirds Euer Hochzeitsmantel sein.’
ENDE
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Doktor Allwissend
Es war einmal ein armer Bauer namens Krebs, der fuhr mit zwei Ochsen ein Fuder Holz in die Stadt und verkaufte es für zwei Taler an einen Doktor. Wie ihm nun das Geld ausbezahlt wurde, saß der Doktor gerade zu Tisch; da sah der Bauer, wie er schön aß und trank, und das Herz ging ihm danach auf, und er wäre auch gern ein Doktor gewesen. Also blieb er noch ein Weilchen stehen und fragte endlich, ob er nicht auch könnte ein Doktor werden. „O ja", sagte der Doktor, „das ist bald geschehen." „Was muß ich tun?" fragte der Bauer. „Erstlich kauf dir ein Abecebuch, so eins, wo vorn ein Gockelhahn drin ist; zweitens mache deinen Wagen und deine zwei Ochsen zu Geld und schaff dir damit Kleider an und was sonst zur Doktorei gehört; drittens laß dir ein Schild malen mit den Worten: ,Ich bin der Doktor Allwissend’ und laß das oben über deine Haustür nageln!" Der Bauer tat alles, wie’s ihm geheißen war. Als er nun ein wenig gedoktert hatte, aber noch nicht viel, ward einem reichen, großen Herrn Geld gestohlen. Da ward ihm von dem Doktor Allwissend gesagt, der in dem und dem Dorfe wohnte und auch wissen müßte, wo das Geld hingekommen wäre. Also ließ der Herr seinen Wagen anspannen, fuhr hinaus ins Dorf und fragte bei ihm an, ob er der Doktor Allwissend wäre. Ja, der wär er. So sollte er mitgehen und das gestohlene Geld wieder schaffen. O ja, aber die Grete, seine Frau müßte auch mit. Der Herr war damit zufrieden und ließ sie beide in den Wagen sitzen, und sie fuhren zusammen fort. Als sie auf den adligen Hof kamen, war der Tisch gedeckt; da sollte er erst mitessen. Ja, aber seine Frau, die Grete, auch, sagte er und setzte sich mit ihr hinter den Tisch. Wie nun der erste Bediente mit einer Schüssel schönem Essen kam, stieß der Bauer seine Frau an und sagte: „Grete, das war der erste", und meinte, es wäre derjenige, welcher das erste Essen brächte. Der Bediente aber meinte, er hätte damit sagen wollen: Das ist der erste Dieb; und weil er’s nun wirklich war, ward ihm angst, und er sagte draußen zu seinen Kameraden: „Der Doktor weiß alles, wir kommen übel an; er hat gesagt, ich wäre der erste." Der zweite wollte gar nicht herein, er mußte aber doch. Wie er nun mit seiner Schüssel herein kam, stieß der Bauer seine Frau an: „Grete, das ist der zweite." Dem Bedienten ward ebenfalls angst, und er machte, daß er hinauskam. Dem dritten ging’s nicht besser; der Bauer sagte wieder: „Grete, das ist der dritte." Der vierte mußte eine verdeckte Schüssel hereintragen, und der Herr sprach zum Doktor, er sollte seine Kunst zeigen und raten, was darunter läge; es waren aber Krebse. Der Bauer sah die Schüssel an, wußte nicht, wie er sich helfen sollte, und sprach: „Ach, ich armer Krebs!" Wie der Herr das hörte, rief er: „Da, er weiß es, nun weiß er auch, wer das Geld hat."
Dem Bedienten aber ward gewaltig angst, und er blinzelte den Doktor an, er möchte einmal herauskommen. Wie er nun hinauskam, gestanden sie ihm alle viere, sie hätten das Geld gestohlen; sie wollten’s ja gerne herausgeben und ihm eine schwere Summe dazu, wenn er sie nicht verraten wollte; es ginge ihnen sonst an den Hals. Sie führten ihn auch hin, wo das Geld versteckt lag. Damit war der Doktor zufrieden, ging wieder hinein, setzte sich an den Tisch und sprach: „Herr, nun will ich in meinem Buch suchen, wo das Geld steckt." Der fünfte Bediente aber kroch in den Ofen und wollte hören, ob der Doktor noch mehr wüßte. Der saß aber und schlug sein Abecebuch auf, blätterte hin und her und suchte den Gockelhahn. Weil er ihn nicht gleich finden konnte, sprach er: „Du bist doch darin und mußt auch heraus." Da glaubte der im Ofen, er wäre gemeint, sprang voller Schrecken heraus und rief: „Der Mann weiß alles." Nun zeigte der Doktor Allwissend dem Herrn, wo das Geld lag, sagte aber nicht, wer’s gestohlen hatte, bekam von beiden Seiten viel Geld zur Belohnung und ward ein berühmter Mann.
ENDE
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
The almond tree
Long time ago, perhaps as much as two thousand years, there was a rich man, and he had a beautiful and pious wife, and they loved each other very much, and they had no children, though they wished greatly for some, and the wife prayed for one day and night. Now, in the courtyard in front of their house stood an almond tree; and one day in winter the wife was standing beneath it, and paring an apple, and as she pared it she cut her finger, and the blood fell upon the snow. “Ah,” said the woman, sighing deeply, and looking down at the blood, “if only I could have a child as red as blood, and as white as snow!” And as she said these words, her heart suddenly grew light, and she felt sure she should have her wish. So she went back to the house, and when a month had passed the snow was gone; in two months everything was green; in three months the flowers sprang out of the earth; in four months the trees were in full leaf, and the branches were thickly entwined; the little birds began to sing, so that the woods echoed, and the blossoms fell from the trees; when the fifth month had passed the wife stood under the almond tree, and it smelt so sweet that her heart leaped within her, and she fell on her knees for joy; and when the sixth month had gone, the fruit was thick and fine, and she remained still; and the seventh month she gathered the almonds, and ate them eagerly, and was sick and sorrowful; and when the eighth month had passed she called to her husband, and said, weeping, “If I die, bury me under the almond tree.” Then she was comforted and happy until the ninth month had passed, and then she bore a child as white as snow and as red as blood, and when she saw it her joy was so great that she died.
Her husband buried her under the almond tree, and he wept sore; time passed, and he became less sad; and after he had grieved a little more he left off, and then he took another wife.
His second wife bore him a daughter, and his first wife’s child was a son, as red as blood and as white as snow. Whenever the wife looked at her daughter she felt great love for her, but whenever she looked at the little boy, evil thoughts came into her heart, of how she could get all her husband’s money for her daughter, and how the boy stood in the way; and so she took great hatred to him, and drove him from one corner to another, and gave him a buffet here and a cuff there, so that the poor child was always in disgrace; when he came back after school hours there was no peace for him. Once, when the wife went into the room upstairs, her little daughter followed her, and said, “Mother, give me an apple.” “Yes, my child,” said the mother, and gave her a fine apple out of the chest, and the chest had a great heavy lid with a strong iron lock. “Mother,” said the little girl, “shall not my brother have one too?” That was what the mother expected, and she said, “Yes, when he comes back from school.” And when she saw from the window that he was coming, an evil thought crossed her mind, and she snatched the apple, and took it from her little daughter, saying, “You shall not have it before your brother.” Then she threw the apple into the chest, and shut to the lid. Then the little boy came in at the door, and she said to him in a kind tone, but with evil looks, “My son, will you have an apple?” “Mother,” said the boy, “how terrible you look! yes, give me an apple!” Then she spoke as kindly as before, holding up the cover of the chest, “Come here and take out one for yourself.” And as the boy was stooping over the open chest, crash went the lid down, so that his head flew off among the red apples. But then the woman felt great terror, and wondered how she could escape the blame. And she went to the chest of drawers in her bedroom and took a white handkerchief out of the nearest drawer, and fitting the head to the neck, she bound them with the handkerchief, so that nothing should be seen, and set him on a chair before the door with the apple in his hand.
Then came little Marjory into the kitchen to her mother, who was standing before the fire stirring a pot of hot water. “Mother,” said Marjory, “my brother is sitting before the door and he has an apple in his hand, and looks very pale; I asked him to give me the apple, but he did not answer me; it seems very strange.” “Go again to him,” said the mother, “and if he will not answer you, give him a box on the ear.” So Marjory went again and said, “Brother, give me the apple.” But as he took no notice, she gave him a box on the ear, and his head fell off, at which she was greatly terrified, and began to cry and scream, and ran to her mother, and said, “O mother.1 I have knocked my brother’s head off!” and cried and screamed, and would not cease. “O Marjory!” said her mother, “what have you done? but keep quiet, that no one may see there is anything the matter; it can’t be helped now; we will put him out of the way safely.”
When the father came home and sat down to table, he said, “Where is my son?” But the mother was filling a great dish full of black broth, and Marjory was crying bitterly, for she could not refrain. Then the father said again, “Where is my son?” “Oh,” said the mother, “he is gone into the country to his great-uncle’s to stay for a little while.” “What should he go for?” said the father, “and without bidding me good-bye, too!” “Oh, he wanted to go so much, and he asked me to let him stay there six weeks; he will be well taken care of.” “Dear me,” said the father, “I am quite sad about it; it was not right of him to go without bidding me good-bye.” With that he began to eat, saying, “Marjory, what are you crying for? Your brother will come back some time.” After a while he said, “Well, wife, the food is very good; give me some more.” And the more he ate the more he wanted, until he had eaten it all up, and be threw the bones under the table. Then Marjory went to her chest of drawers, and took one of her best handkerchiefs from the bottom drawer, and picked up all the bones from under the table and tied them up in her handkerchief, and went out at the door crying bitterly. She laid them in the green grass under the almond tree, and immediately her heart grew light again, and she wept no more. Then the almond tree began to wave to and fro, and the boughs drew together and then parted, just like a clapping of hands for joy; then a cloud rose from the tree, and in the midst of the cloud there burned a fire, and out of the fire a beautiful bird arose, and, singing most sweetly, soared high into the air; and when he had flown away, the almond tree remained as it was before, but the handkerchief full of bones was gone. Marjory felt quite glad and light-hearted, just as if her brother were still alive. So she went back merrily into the house and had her dinner. The bird, when it flew away, perched on the roof of a goldsmith’s house, and began to sing,
”It was my mother who murdered me;
It was my father who ate of me;
It was my sister Marjory
Who all my bones in pieces found;
hem in a handkerchief she bound,
And laid them under the almond tree.
Kywitt, kywitt, kywitt, I cry,
Oh what a beautiful bird am I!”
The goldsmith was sitting in his shop making a golden chain, and when he heard the bird, who was sitting on his roof and singing, he started up to go and look, and as he passed over his threshold he lost one of his slippers; and he went into the middle of the street with a slipper on one foot and-only a sock on the other; with his apron on, and the gold chain in one hand and the pincers in the other; and so he stood in the sunshine looking up at the bird. “Bird,” said he, “how beautifully you sing; do sing that piece over again.” “No,” said the bird, “I do not sing for nothing twice; if you will give me that gold chain I will sing again.” “Very well,” said the goldsmith, “here is the gold chain; now do as you said.” Down came the bird and took the gold chain in his right claw, perched in front of the goldsmith, and sang,
“It was my mother who murdered me;
It was my father who ate of me;
It was my sister Marjory
Who all my bones in pieces found;
Them in a handkerchief she bound,
And laid them under the almond tree.
Kywitt, kywitt, kywitt, I cry,
Oh what a beautiful bird am I!”
Then the bird flew to a shoemaker’s, and perched on his roof, and sang,
“It was my mother who murdered me;
It was my father who ate of me;
It was my sister Marjory
Who all my bones in pieces found;
Them in a handkerchief she bound,
And laid them under the almond tree.
Kywitt, kywitt, kywitt, I cry,
Oh what a beautiful bird am I!”
When the shoemaker heard, he ran out of his door in his shirt sleeves and looked up at the roof of his house, holding his hand to shade his eyes from the sun. “Bird,” said he, “how beautifully you sing!” Then he called in at his door, “Wife, come out directly; here is a bird singing beautifully; only listen.” Then he called his daughter, all his children, and acquaintance, both young men and maidens, and they came up the street and gazed on the bird, and saw how beautiful it was with red and green feathers, and round its throat was as it were gold, and its eyes twinkled in its head like stars. “Bird,” said the shoemaker, “do sing that piece over again.” “No,” said the bird, “I may not sing for nothing twice; you must give me something.” “Wife,” said the man, “go into the shop; on the top shelf stands a pair of red shoes; bring them here.” So the wife went and brought the shoes. “Now bird,” said the man, “sing us that piece again.” And the bird came down and took the shoes in his left claw, and flew up again to the roof, and sang,
“It was my mother who murdered me;
It was my father who ate of me;
It was my sister Marjory
Who all my bones in pieces found;
hem in a handkerchief she bound,
And laid them under the almond tree.
Kywitt, kywitt, kywitt, I ciy,
Oh what a beautiful bird am I!”
And when he had finished he flew away, with the chain in his right claw and the shoes in his left claw, and he flew till he reached a mill, and the mill went “clip-clap, clip-clap, clip-clap.” And in the mill sat twenty millers-men hewing a millstone— “hick-hack, hick-hack, hick-hack,” while the mill was going “clip-clap, clip-clap, clip-clap.” And the bird perched on a linden tree that stood in front of the mill, and sang, “It was my mother who murdered me; “ Here one of the men looked up. “It was my father who ate of me;” Then two more looked up and listened. “It was my sister Marjory “ Here four more looked up. “Who all my bones in pieces found; Them in a handkerchief she bound,” Now there were only eight left hewing. “And laid them under the almond tree.” Now only five. “Kywitt, kywitt, kywitt, I cry,” Now only one. “Oh what a beautiful bird am I!” At length the last one left off, and he only heard the end. “Bird,” said he, “how beautifully you sing; let me hear it all; sing that again!” “No,” said the bird, “I may not sing it twice for nothing; if you will give me the millstone I will sing it again.” “Indeed,” said the man, “if it belonged to me alone you should have it.” “All right,” said the others, “if he sings again he shall have it.” Then the bird came down, and all the twenty millers heaved up the stone with poles – ”yo! heave-ho! yo! heave-ho!” and the bird stuck his head through the hole in the middle, and with the millstone round his neck he flew up to the tree and sang,
“It was my mother who murdered me;
It was my father who ate of me;
It was my sister Marjory
Who all my bones in pieces found;
Them in a handkerchief she bound,
And laid them under the almond tree.
Kywitt, kywitt, kywitt, I cry,
Oh what a beautiful bird am I!”
And when he had finished, he spread his wings,, having in the right claw the chain, and in the left claw the shoes, and round his neck the millstone, and he flew away to his father’s house.
In the parlour sat the father, the mother, and Marjory at the table; the father said, “How light-hearted and cheerful I feel.” “Nay,” said the mother, “I feel very low, just as if a great storm were coming.” But Marjory sat weeping; and the bird came flying, and perched on the roof “Oh,” said the father, “I feel so joyful, and the sun is shining so bright; it is as if I were going to meet with an old friend.” “Nay,” said the wife, “I am terrified, my teeth chatter, and there is fire in my veins,” and she tore open her dress to get air; and Marjory sat in a corner and wept, with her plate before her, until it was quite full of tears. Then the bird perched on the almond tree, and sang, ” It was my mother who murdered me; “ And the mother stopped her ears and hid her eyes, and would neither see nor hear; nevertheless, the noise of a fearful storm was in her ears, and in her eyes a quivering and burning as of lightning. “It was my father who ate of me;” “O mother!” said the-father, “there is a beautiful bird singing so finely, and the sun shines, and everything smells as sweet as cinnamon. ”It was my sister Marjory “ Marjory hid her face in her lap and wept, and the father said, “I must go out to see the bird.” “Oh do not go!” said the wife, “I feel as if the house were on fire.” But the man went out and looked at the bird. “Who all my bones in pieces found; Them in a handkerchief she bound, And laid them under the almond tree. Kywitt, kywitt, kywitt, I cry, Oh what a beautiful bird am I!”
With that the bird let fall the gold chain upon his father’s neck, and it fitted him exactly. So he went indoors and said, “Look what a beautiful chain the bird has given me.” Then his wife was so terrified that she fell all along on the floor, and her cap came off. Then the bird began again to sing, “It was my mother who murdered me;” “Oh,” groaned the mother, “that I were a thousand fathoms under ground, so as not to be obliged to hear it.” “It was my father who ate of me;” Then the woman lay as if she were dead. “It was my sister Marjory “ “Oh,” said Marjory, “I will go out, too, and see if the bird will give me anything.” And so she went. “Who all my bones in pieces found; Them in a handkerchief she bound,” Then he threw the shoes down to her. “And laid them under the almond tree. Kywitt, kywitt, kywitt, I cry, Oh what a beautiful bird am I!”
And poor Marjory all at once felt happy and joyful, and put on her red shoes, and danced and jumped for joy. “Oh dear,” said she, “I felt so sad before I went outside, and now my heart is so light! He is a charming bird to have given me a pair of red shoes.” But the mother’s hair stood on end, and looked like flame, and she said, “Even if the world is coming to an end, I must go out for a little relief.” Just as she came outside the door, crash went the millstone on her head, and crushed her flat. The father and daughter rushed out, and saw smoke and flames of fire rise up; but when that had gone by, there stood the little brother; and he took his father and Marjory by the hand, and they felt very happy and content, and went indoors, and sat to the table, and had their dinner.
END
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863)& Wilhelm Grimm (1786-1859)
Slangensprookjes
I
Er was eens een klein kind, en z’n moeder gaf hem iedere dag een kommetje brood in melk geweekt, en daar ging het kind altijd buiten mee zitten op het erf. En als het dan ging eten, dan kwam het huisslangetje uit een spleet van de muur gekropen, stopte z’n kopje in de melk en at mee. Dat vond het kind prettig, en als hij met z’n kommetje ging zitten en het beestje was er nog niet, dan riep hij:
Slangetje, wil je brood en melk?
Kom maar hier en neem van elk,
Van het brood een brokje,
Van de melk een slokje.
En dan kwam het slangetje aangegleden en liet ‘t zich heerlijk smaken. En hij toonde zich ook dankbaar, want hij had een geheime schatkamer en daaruit bracht hij het kind allerlei prachtige dingen: mooie steentjes en parels en gouden speelgoed. Maar het slangetje dronk alleen maar van de melk, en de brokjes liet hij liggen. En eens op een keer nam het kind het lepeltje, tikte hem daarmee op zijn kopje en zei: "Ding, eet ook brokken!" De moeder die in de keuken stond, hoorde dat het kind praatte, en toen ze zag dat hij met z’n lepeltje naar een slangetje sloeg, liep ze met een grote houten lepel naar buiten en sloeg het dier dood. Van die tijd af veranderde het kind. Zolang het slangetje met hem gegeten had, was hij groot en sterk geweest, maar nu verloor hij zijn mooie, rode wangen en werd mager. En het duurde niet lang of ‘s nachts begon de uil te roepen, en het roodborstje zocht takjes en blaadjes bijeen voor een dodenkrans, en kort daarop was het kind gestorven.
II
Een weeskind zat bij de stadsmuur te spinnen, toen zag ze een slangetje uit een spleet onder aan de muur komen. Vlug spreidde ze haar blauwzijden halsdoek, waar slangen bijzonder veel van houden, en waar ze alleen op willen liggen, naast zich op de grond. Zo gauw het slangetje dat zag, keerde ‘t om, was weer terug en kwam met een klein gouden kroontje aandragen, en legde ‘t op het doekje en ging weer weg. Het meisje nam het kroontje op, ‘t schitterde en was van fijn gouddraad. En kort daarna kwam het slangetje weer terug, maar toen hij ‘t kroontje niet meer zag, kroop hij naar de muur en sloeg z’n kopje van verdriet er zo lang tegenaan, als hij maar kracht had, tot hij eindelijk dood neerlag. Had het meisje het kroontje laten liggen, dan had het slangetje nog wel meer schatten uit z’n hol aangedragen.
III
De slang roept: oehoe, oehoe. Kind zegt: Kom d’r uit. De slang komt eruit – het kind vraagt naar zijn zusje: "Heb je Roodkousje niet gezien?" Slangetje zegt: "Nee, ik ook niet, hoe zou jij?" Oehoe, oehoe, oehoe.
EINDE
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
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Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Old Hildebrand
Once upon a time lived a peasant and his wife, and the parson of the village had a fancy for the wife, and had wished for a long while to spend a whole day happily with her. The peasant woman, too, was quite willing. One day, therefore, he said to the woman, "Listen, my dear friend, I have now thought of a way by which we can for once spend a whole day happily together. I’ll tell you what; on Wednesday, you must take to your bed, and tell your husband you are ill, and if you only complain and act being ill properly, and go on doing so until Sunday when I have to preach, I will then say in my sermon that whosoever has at home a sick child, a sick husband, a sick wife, a sick father, a sick mother, a sick brother or whosoever else it may be, and makes a pilgrimage to the Göckerli hill in Italy, where you can get a peck of laurel-leaves for a kreuzer, the sick child, the sick husband, the sick wife, the sick father, or sick mother, the sick sister, or whosoever else it may be, will be restored to health immediately."
"I will manage it," said the woman promptly. Now therefore on the Wednesday, the peasant woman took to her bed, and complained and lamented as agreed on, and her husband did everything for her that he could think of, but nothing did her any good, and when Sunday came the woman said, "I feel as ill as if I were going to die at once, but there is one thing I should like to do before my end I should like to hear the parson’s sermon that he is going to preach to-day." On that the peasant said, "Ah, my child, do not do it — thou mightest make thyself worse if thou wert to get up. Look, I will go to the sermon, and will attend to it very carefully, and will tell thee everything the parson says."
"Well," said the woman, "go, then, and pay great attention, and repeat to me all that thou hearest." So the peasant went to the sermon, and the parson began to preach and said, if any one had at home a sick child, a sick husband, a sick wife, a sick father a sick mother, a sick sister, brother or any one else, and would make a pilgimage to the Göckerli hill in Italy, where a peck of laurel-leaves costs a kreuzer, the sick child, sick husband, sick wife, sick father, sick mother, sick sister, brother, or whosoever else it might be, would be restored to health instantly, and whosoever wished to undertake the journey was to go to him after the service was over, and he would give him the sack for the laurel-leaves and the kreuzer.
Then no one was more rejoiced than the peasant, and after the service was over, he went at once to the parson, who gave him the bag for the laurel-leaves and the kreuzer. After that he went home, and even at the house door he cried, "Hurrah! dear wife, it is now almost the same thing as if thou wert well! The parson has preached to-day that whosoever had at home a sick child, a sick husband, a sick wife, a sick father, a sick mother, a sick sister, brother or whoever it might be, and would make a pilgrimage to the Göckerli hill in Italy, where a peck of laurel-leaves costs a kreuzer, the sick child, sick husband, sick wife, sick father, sick mother, sick sister, brother, or whosoever else it was, would be cured immediately, and now I have already got the bag and the kreuzer from the parson, and will at once begin my journey so that thou mayst get well the faster," and thereupon he went away. He was, however, hardly gone before the woman got up, and the parson was there directly.
But now we will leave these two for a while, and follow the peasant, who walked on quickly without stopping, in order to get the sooner to the Göckerli hill, and on his way he met his gossip. His gossip was an egg-merchant, and was just coming from the market, where he had sold his eggs. "May you be blessed," said the gossip, "where are you off to so fast?"
"To all eternity, my friend," said the peasant, "my wife is ill, and I have been to-day to hear the parson’s sermon, and he preached that if any one had in his house a sick child, a sick husband, a sick wife, a sick father, a sick mother, a sick sister, brother or any one else, and made a pilgrimage to the Göckerli hill in Italy, where a peck of laurel-leaves costs a kreuzer, the sick child, the sick husband, the sick wife, the sick father, the sick mother, the sick sister, brother or whosoever else it was, would be cured immediately, and so I have got the bag for the laurel-leaves and the kreuzer from the parson, and now I am beginning my pilgrimage." "But listen, gossip," said the egg-merchant to the peasant, "are you, then, stupid enough to believe such a thing as that? Don’t you know what it means? The parson wants to spend a whole day alone with your wife in peace, so he has given you this job to do to get you out of the way."
"My word!" said the peasant. "How I’d like to know if that’s true!"
"Come, then," said the gossip, "I’ll tell you what to do. Get into my egg-basket and I will carry you home, and then you will see for yourself." So that was settled, and the gossip put the peasant into his egg-basket and carried him home.
When they got to the house, hurrah! but all was going merry there! The woman had already had nearly everything killed that was in the farmyard, and had made pancakes, and the parson was there, and had brought his fiddle with him. The gossip knocked at the door, and woman asked who was there. "It is I, gossip," said the egg-merchant, "give me shelter this night; I have not sold my eggs at the market, so now I have to carry them home again, and they are so heavy that I shall never be able to do it, for it is dark already."
"Indeed, my friend," said the woman, "thou comest at a very inconvenient time for me, but as thou art here it can’t be helped, come in, and take a seat there on the bench by the stove." Then she placed the gossip and the basket which he carried on his back on the bench by the stove. The parso, however, and the woman, were as merry as possible. At length the parson said, "Listen, my dear friend, thou canst sing beautifully; sing something to me." "Oh," said the woman, "I cannot sing now, in my young days indeed I could sing well enough, but that’s all over now."
"Come," said the parson once more, "do sing some little song."
On that the woman began and sang,
"I’ve sent my husband away from me
To the Göckerli hill in Italy."
Thereupon the parson sang,
"I wish ’twas a year before he came back,
I’d never ask him for the laurel-leaf sack."
Hallelujah.
Then the gossip who was in the background began to sing (but I ought to tell you the peasant was called Hildebrand), so the gossip sang,
"What art thou doing, my Hildebrand dear,
There on the bench by the stove so near?"
Hallelujah.
And then the peasant sang from his basket,
"All singing I ever shall hate from this day,
And here in this basket no longer I’ll stay."
Hallelujah.
And he got out of the basket, and cudgelled the parson out of the house.
END
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
Märchen der Brüder Grimm
Jacob Grimm (1785-1863) & Wilhelm Grimm (1786-1859)
Sleeping beauty
In times past there lived a king and queen, who said to each other every day of their lives, “Would that we had a child!” and yet they had none. But it happened once that when the queen was bathing, there came a frog out of the water, and he squatted on the ground, and said to her, “Thy wish shall be fulfilled; before a year has gone by, thou shalt bring a daughter into the world.” And as the frog foretold, so it happened; and the queen bore a daughter so beautiful that the king could not contain himself for joy, and he ordained a great feast. Not only did he bid to it his relations, friends, and acquaintances, but also the wise women, that they might be kind and favourable to the child. There were thirteen of them in his kingdom, but as he had only provided twelve golden plates for them to eat from, one of them had to be left out. However, the feast was celebrated with all splendour; and as it drew to an end, the wise women stood forward to present to the child their wonderful gifts: one bestowed virtue, one beauty, a third riches, and so on, whatever there is in the world to wish for. And when eleven of them had said their say, in came the uninvited thirteenth, burning to revenge herself, and without greeting or respect, she cried with a loud voice, “In the fifteenth year of her age the princess shall prick herself with a spindle and shall fall down dead.” And without speaking one more word she turned away and left the hall. Every one was terrified at her saying, when the twelfth came forward, for she had not yet bestowed her gift, and though she could not do away with the evil prophecy, yet she could soften it, so she said, “The princess shall not die, but fall into a deep sleep for a hundred years.” Now the king, being desirous of saving his child even from this misfortune, gave commandment that all the spindles in his kingdom should be burnt up. The maiden grew up, adorned with all the gifts of the wise women; and she was so lovely, modest, sweet, and kind and clever, that no one who saw her could help loving her. It happened one day, she being already fifteen years old, that the king and queen rode abroad, and the maiden was left behind alone in the castle. She wandered about into all the nooks and corners, and into all the chambers and parlours, as the fancy took her, till at last she came to an old tower. She climbed the narrow winding stair which led to a little door, with a rusty key sticking out of the lock; she turned the key, and the door opened, and there in the little room sat an old woman with a spindle, diligently spinning her flax. “Good day, mother,” said the princess, “what are you doing?” “I am spinning,” answered the old woman, nodding her head. “What thing is that that twists round so briskly ?”asked the maiden, and taking the spindle into her hand she began to spin; but no sooner had she touched it than the evil prophecy was fulfilled, and she pricked her finger with it. In that very moment she fell back upon the bed that stood there, and lay in a deep sleep. And this sleep fell upon the whole castle; the king and queen, who had returned and were in the great hall, fell fast asleep, and with them the whole court. The horses in their stalls, the dogs in the yard, the pigeons on the roof, the flies on the wall, the very fire that flickered on the hearth, became still, and slept like the rest; and the meat on the spit ceased roasting, and the cook, who was going to pull the scullion’s hair for some mistake he had made, let him go, and went to sleep. And the wind ceased, and not a leaf fell from the trees about the castle. Then round about that place there grew a hedge of thorns thicker every year, until at last the whole castle was hidden from view, and nothing of it could be seen but the vane on the roof.And a rumour went abroad in all that country of the beautiful sleeping Rosamond, for so was the princess called; and from time to time many kings’ sons came and tried to force their way through the hedge; but it was impossible for them to do so, for the thorns held fast together like strong hands, and the young men were caught by them, and not being able to get free, there died a lamentable death.
Many a long year afterwards there came a king’s son into that country, and heard an old man tell how there should be a castle standing behind the hedge of thorns, and that there a beautiful enchanted princess named Rosamond had slept for a hundred years, and with her the king and queen, and the whole court. The old man had been told by his grandfather that many king’s sons had sought to pass the thorn-hedge, but had been caught and pierced by the thorns, and had died a miserable death. Then said the young man, “Nevertheless, I do not fear to try; I shall win through and see the lovely Rosamond.” The good old man tried to dissuade him, but he would not listen to his words. For now the hundred years were at an end, and the day had come when Rosamond should be awakened. When the prince drew near the hedge of thorns, it was changed into a hedge of beautiful large flowers, which parted and bent aside to let him pass, and then closed behind him in a thick hedge. When he reached the castle-yard, he saw the horses and brindled hunting-dogs lying asleep, and on the roof the pigeons were sitting with their heads under their wings. And when he came indoors, the flies on the wall were asleep, the cook in the kitchen had his hand uplifted to strike the scullion, and the kitchen-maid had the black fowl on her lap ready to pluck.
Then he mounted higher, and saw in the hall the whole court lying asleep, and above them, on their thrones, slept the king and the queen. And still he went farther, and all was so quiet that he could hear his own breathing; and at last he came to the tower, and went up the winding stair, and opened the door of the little room where Rosamond lay. And when he saw her looking so lovely in her sleep, he could not turn away his eyes; and presently he stooped and kissed her.
And she awaked, and opened her eyes, and looked very kindly on him. And she rose, and they went forth together, and the king and the queen and whole court waked up, and gazed on each other with great eyes of wonderment. And the horses in the yard got up and shook themselves, the hounds sprang up and wagged their tails, the pigeons on the roof drew their heads from under their wings, looked round, and flew into the field, the flies on the wall crept on a little farther, the kitchen fire leapt up and blazed, and cooked the meat, the joint on the spit began to roast, the cook gave the scullion such a box on the ear that he roared out, and the maid went on plucking the fowl.
Then the wedding of the Prince and Rosamond was held with all splendour, and they lived very happily together until their lives’ end.
END
Die Märchen der Brüder Grimm
kempis.nl poetry magazine
More in: Grimm, Andersen e.o.: Fables, Fairy Tales & Stories, Grimm, Jacob & Wilhelm
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